- #Mixing vocals with waves ssl 4000 how to
- #Mixing vocals with waves ssl 4000 series
- #Mixing vocals with waves ssl 4000 windows
The presets are interesting, but I wouldnt go paste them on their respective tracks in a mix, and think that it will sound anything other than craptastic. ITB mixing is very linear, while on the console it's more deviating, and roundabout. Incorporating the latest low latency technology, V3 presets enable artists and songwriters to monitor vocals LIVE with Sean Divine’s polished, professionally mixed tones during the recording process.
#Mixing vocals with waves ssl 4000 series
It's just a much more creative way to work than mixing ITB. Volume 3 elevates the Vocal Chains series to unprecedented heights, powered by Waves Platinum, SSL 4000 and Waves Tune Real-Time.
#Mixing vocals with waves ssl 4000 windows
I submit that the biggest part of the SSL's mojo is the ability to move around the sound pallet quickly and freely from track to track unimpeded by pop up windows on the computer, and the ability to modify multiple settings simultaneously with both hands across all the tracks in a song, shaping as you go.
In my experience it's much more a spontaneous, and quick experimentation with various settings while moving from track to track in quick succession that ends up creating something sweet sounding. With its relatively CPU-friendly performance, it is great for creating that console feel that glues the mix together. On the real SSL I don't think in terms of "Ok, this setting worked for me on the vocal in the last mix, so I'll just use the same setting for the vocal in this mix, and go from there". The SSL essentials bundle is ideal for someone who wants to have plugins that recreate the SSL vibe, but with a cleaner user interface, and a real sense of depth. I was implying that just because a setting works well on a sound that CLA mixed doesn't mean it will work well on another, or even be relevant to the mix your working on.
#Mixing vocals with waves ssl 4000 how to
I wasn't implying that any fool should know how to set the SSL plugs. The consoles featured are the SSL 4000 G (the Spike), the EMI TG12345 Mk4 (the Mike), and the Neve 5116s (the Nevo). NLS is essentially three consoles coming together as one plugin. Sure, it won't take you all the way, but it's valuable as a starting point. The NLS Non-Linear Summer is easily one of the best Waves plugins for mixing. Saying that studying some one else's presets is a joke is like saying that if you want to learn to play guitar, studying the licks of great guitarists is a joke. Well, someone who has neither an SSL nor a mentor to learn from can find some value in studying CLA's settings. For instance, it’s common to have a heavy low end when mixing hip-hop vocals to add a sense of power, to boost the midrange when mixing rock vocals to help cut through a dense mix, or to boost the high end in pop vocals to add presence. Randy, your statements are in agreement with me on that. After you’ve addressed any problematic frequencies in the vocal, it’s time to start adding some character. My comment was directed at the "that's just comedy" statement which seems to imply that "pshhh! any fool knows how to set the parameters". no one said anything about learning to use a complicated piece of gear from just a preset. This was never offered by waves! But the settings are very easily seen in that picture.Woah. If you go to that old interview where he talks about mixing that my chemical romance album, one of the pictures shows a "CLA Piano" preset. On a side note, i do wonder if he uses these presets while mixing.
this of course effects how much compression is happening as well and many of his first set of presets sound better to me now that i drop the input significantly. Sure it's still extreme boosts, but not nearly as harsh sounding when the input is brought back. In CLA's second round of presets we now see quite a few of the settings have the input dropped almost as much as what is boosted in the treble. Perhaps the levels hitting his board were different than say yours or my levels hitting the plugin. Eventually i began wondering if the presets did not show you the whole picture, ie.
most times it was too much, but i still liked the eq shapes. When i first tried these presets out i was like all of you, pretty surprised at the boosts. In one interview he said he was pleased to offer waves his presets straight off the board. I definitely don't know if this is completely true or not, but i would suspect they came straight from his board and not plugin use.
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